Love as a theme in literature has a long history

He had the feeling that something acid was awaiting him--what it was, he did non k like a shot (McCullers 292).

The unpleasantness he seems to foresee capability be his meeting with his ex-wife, or the dinner he has with her and her husband, moreover in fact it seems to be that this day is Ferris's birthday and he has forgotten the fact. The other things that occur that add to this unpleasantness and perplex out Ferris's failures as a human being and as a have it offr. He sees his ex-wife on the street and follows her, at beginning(a) intending to speak to her, but soon merely following her without speechmaking or making his presence knget. We basis presume that they billet because he failed to make a connection with her as a human being, though the reason for the divorce is not indicated in the story. What does emerge in the story is that the sojourner leaves everyone and everything behind in his animateness and continues this pattern, and though at the end of the story he seems to be prepared to change this, he will be unable(p) to do so and will leave his current touch one day just as he unexpended his family, his home, his wife, and even his country.

Ferris is a man who is becoming aware of the go through of time, which also makes him begin to reconsider his habit of leaving large number behind. He has returned for his father's funeral, someone else he left behind and has not see

Shaming our heritage before the world.

Eh, Mister Lakunle? (Soyinka 110).

Why, did you take that after him,

It is significant that the voice form the fugue is anatropous for Ferris, for his life has been upside down and "in a electric shaver key" to this time. He may believe he can change this situation, but it may be that he cannot. He rushes home to see Jeannine, but she is not there--she is singing in a nightclub, and only her son, Valentin, is home. Ferris begins trying to make the lies he told Elizabeth into truth--he verbalize he often took Valentin to the Tuileries, when in fact he had only done so once. Now, he suggests to the boy that they will go to the Tuileries soon.

The boy brings up Ferris's father, and rather than answer, Ferris hides his own shame and awe by talking again of the Tuileries, telling the boy wholly that they will do and see. One of the things he mentions is the guignol, and the boy says, "The guignol is now closed," which leads Ferris once more to the realization of his own mortality and his own fear, both of which could be assuaged by love if he knew what love was:

The shock of death had made him aware of youth already passed. His hair was receding and the veins in his now naked temples were pound and prominent and his body was spare except for an incipient tummy bulge (McCullers 292).

In the "play" that goes along with the dance, Lakunle is given the part of the stranger, showing that he has been stray by his views from the residential area. The sojourner was also separated and treated as a stranger, but he selected this role, magic spell Lakunle has had it thrust upon him. Lakunle and Baroka become rivals for Sidi's hand, and Baroka clearly sees himself as part of the community while Lakunle is the outsider, meaning that he believes he has the better happening for that reason alone. Baroka is known as the Lion, and the matchmaker Sadiku explains to Sidi what it means to be the last wife of the Lion should he die:

This empha
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