
however Prufrock knows too much of life-time story to "dare" an approach shot to the woman: In his disposition he hears the comments others make somewhat his inadequacies, and he chides himself for "presuming" emotional interaction could be possible at all. The poem moves from a serial of evenhandedly concrete (for Eliot) fleshly settings--a cityscape (the famous "patient etherised upon a tabulate") and several interiors (womens munition in the lamplight, coffee spoons, fireplaces)--to a series of vague naval images conveying Prufrock...If you want to start up a full essay, set it on our website: Orderessay
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