Walt Disney Presents: "Beauty and the Beast"

Many of the computes constitute what baron be called aspects of the iconography of the queen mole rat tale--the stronghold, the simple village, the creature, the enchantress who casts a spell, the beaut who can take the spell away, the enchanted mirror, and so on. These atomic number 18 images that are readily understood on firstborn believe as conveying certain set ideas that emerge from the fairy tale, though there can be variations. In steady and the brute, for instance, the primary variation is on images of beauty and the meaning of them. Belle is fair both within and without, while the Beast is pathetic because he has had an grotesque soul. However, ultimately the Beast is good and non ugly at all, while Gaston is outwardly beautiful and yet ugly through and through. More than most fairy tales, the story of " viewer and the Beast" is a story where appearances are deceiving. In the contain version, the seemingly animated household utensils represent this clearly, for they are not enchanted furnishings at all but people change into objects as part of the punishment of the Prince, a fact that emerges in the course of the film and that is not readily apparent at the start.

In the opening sequence, the image of the castle appears through the trees of the fo wait. The li

Belle moves through the village and greets one somebody after another, but the activity of the village swirls around her as if she were not there to see it--visually she is shown as different from the rest of the village, and this idea is carried through in what is said to her, what is said rough her, and what she herself wonders and how she wants something other than this "provincial life." The beauty of the village and the surrounding countryside changes and emphasizes erst more the power of spirit and of being one with nature, and as Belle's father travels down the wrong road to the fair, nature turns dark, foreboding, and affright as he nears the Beast's castle, again bringing to mind what the Beast has lost and how he must live until he learns to screw and so achieves freedom.

nking of the castle with nature is important, for nature evokes a brain of life, love, wonder, and belonging. For much of the film, the castle will be in a more foreboding atmosphere, for the actions of the young Prince caused him to lose his link with nature demonstrated by his unnatural appearance and the changed atmosphere in and around his castle. The story of the change is told in a series of still drawings, not unlike the stained-glass windows of cathedrals. The first "moving" image comes when the newly-created Beast, in despair, scratches his nails through a painting over the mantel. The soul of what he has lost is embodied in the rose that is unbroken in a glass case, and that bright rose in the darkened house is the image of nature, of what was once part of the castle and part of the Prince's world but that is now kept at a distance or enclosed in glass. Significantly, the first view we have of Belle is when she leaves her cottage and is surrounded by the flight of stairs birds and bright foliage of nature.

Now, all this might seem exclusively harmless to most people, but there are critics who invite that Disney is pandering to the audience by presenting images that falsify the intent
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